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A single cinematic image divided into four horizontal panels, each panel representing a different camera angle of the same scene and subject. All panels must be visually cohesive in lighting, color grading, and atmosphere. Top panel – BIRD’S-EYE SHOT: A top-down overhead view, perfectly vertical camera angle, emphasizing spatial layout and geometry. Second panel – SIDE CLOSE-UP SHOT: A close-up shot from the side profile, shallow depth of field, focusing on facial or object details with cinematic compression. Third panel – EXTREME CLOSE-UP: An extreme close-up capturing fine textures and micro details, filling the frame almost abstractly. Bottom panel – MEDIUM WIDE BACK SHOT: A medium-wide shot from behind the subject, showing posture and environment, cinematic framing, strong sense of depth. Clean horizontal separations between panels, editorial film-strip composition, high-end cinematic still, consistent subject identity across all panels, Over-the-shoulder conversational cinematic framing, captured on Hasselblad X2D 100C with 80mm f/2.8 medium format lens, Warm candlelight ambient glow at 2400K with gentle highlight rolloff, authentic skin micro-textures, true-to-life surface physics, 8K ultra-detailed editorial photography
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